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Composition and contemporary performance

Composition and contemporary performance

Royal Holloway encourages creativity in contemporary music of all kinds. The Music Department is dedicated to practice-led research and is committed to supporting staff and students in the creation of new music through composition and performance.

Our composers and performers work across a wide range of styles and approaches including: music for the concert hall, opera, music for dance, electronic and electroacoustic music, installations, virtual reality, music for education, and interdisciplinary projects connecting music and sound with other art forms.

Our composers (Thomas Baynes, Nathan James DeardenTonia KoTom Parkinson and Nina Whiteman) are commissioned by ensembles and organisations including: all of the BBC orchestras and choirs, City of Birmingham Symphony Orchestra, London Sinfonietta, London Symphony Orchestra, National Theatre, Philharmonia Orchestra, Royal Ballet and Opera, and Music Theatre Wales. Our expertise in sound design, electroacoustic music, and site-specific musical creativity includes collaborations with choreographers, theatre and film directors, writers, and visual artists.

Our performers (Mary DulleaZubin KangaNina Whiteman) specialise in contemporary music for keyboard, piano trio, chamber music, and music for voice, including projects which break down the boundaries between performer, composer and audience, and projects exploring the connection between technology, gesture and notation. Our work in improvisation crosses between disciplines and genres, connecting experiments in new instruments and performance techniques with digital technologies.

Royal Holloway is committed to increasing access to contemporary music. Our staff work regularly as animateurs, mentors, and workshop leaders with organisations including: Royal Ballet and Opera, Ivor's Academy, Help Musicians, London Philharmonic Orchestra, Manchester Camerata, and National Youth Arts Wales. We curate festivals and events which bring contemporary music to new audiences and participants through leading organisations such as the Chamber Music on Valentia Festival and Manchester Contemporary Youth Opera.

Royal Holloway offers an outstanding environment in which students’ creative ideas can be realised. We support PhD researchers from all over the world as they develop their distinctive practice as composers and performers. Our postgraduate researchers work across a range of areas including: orchestral and chamber music, spatial audio, opera, choral and vocal music, microtonal composition, museum audio, music for film and theatre, sound installations, music theatre, multimedia composition, and generative music apps. 

Chelsea Bruno (2016): An Artist’s Approach to the Modular Synthesizer in Experimental Electronic Music Composition and Performance

Guy Bunce (2013): Mimesis, Memory, and Borrowed Materials: A Portfolio of Compositions

Nathan James Dearden (2023): Music as Commentary: A portfolio of music compositions and supporting thesis

Miguel Diniz (2025): Creating and affording ensembleness through the integration of movement in vocal ensemble compositions: Portfolio of compositions and supporting commentary

Lucy Harrison (2018): Control, collaboration and audience engagement in interactive sound installations

James Helgeson (2024): Sedimentation, modular construction, and the musical first person: A portfolio of 12 compositions, with an accompanying commentary

Daisy Henson (2025): Hum/Ine: Interspecies Empathy, Composition, and Horses

Gavin Higgins (2022): Composition Portfolio

Sam Messer (2024): Ritual, Tableau, Ecosystem: Composing with Non-Linear Musical Objects: A portfolio of compositions and commentary

Elise Plans (2022): Mobile Music: a portfolio of works exploring adaptive music generation in embedded and mobile devices

Sorana Santos (2020): Music and the Medial Woman: Meta-structure and Metaphysics in Contemporary Songwriting

Gavin Stewart (2024): The shakuhachi retranslated: an exploration, expansion, and evaluation of new instrumental capabilities through the collaborative creation of new works for the Kingma System C flute

James Telford (2021): The Utility of Resistance in Environments for Live Performance with Electronics as Part of a Compositional Strategy

Adam Walters (2018): Finding Resonance: Exploring Approaches to Musical Fusion in a Caribbean Context

Chris Whiter (2017): An Exploration of Compositional & Improvisational Approaches to Jazz & Electronics

Tom Wilson (2017): Composition portfolio: approaches to a pop-derived musical language

Wai Yu (2025): The Moving Pianist: Exploring New Dimensions in Choreomusical Performance Practice: Examining New Roles and Choreographic Possibilities for Pianists Through Collaborative Creations with Dancers

Onur Yuce (2024): Crafting Musical Narratives Around Sociopolitical Issues in the Greater Middle East: Personal Insights and Creative Processes in Constantina Pole and Bacha Posh

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